Showing posts with label Kermit. Show all posts
Showing posts with label Kermit. Show all posts

Thursday, August 17, 2017

Recasting

1955-1990                                                          1990-2017
It has been a while since we talked Muppets on the site. And it just so happens there is Muppet news that I have thoughts on. It was announced on July 10th of this year that the current performer for Kermit the Frog, Steve Whitmire, would be stepping down.

Much of the noise around this announcement as boiled down to age old troupes of Creator vs. Corporation. And in my humble opinion there is no clear good guy in this announcement.  From what I have heard and read I believe both parties actions led to this divorce of artist from the business of the Muppets. And I am not really interested in declaring a winner. What follows are just some of my thoughts and reflections on the news.

Muppet performers are more than voice actors. While there are times where one person will puppeteer and a voice is dubbed over, the standard for the Muppets has long been that movement and voice originate from the same performer. This marriage of movement and sound leads to character. More than that it leads to a character. Fans of the Muppets often refer to the performer as the soul of the character. So when these characters change hands, they do more than change voice actors. A recasting for the Muppets isn't simply a matter of inflection or pitch that is changed, the character themselves undergo a change.

And yes, I did just use the words character, soul, and self to describe two half ping pong balls glued onto a scrap of green fabric. But that is what makes the Muppets so great. At there core the Muppets are a magic trick. I know that they are felt and foam. I know that there is a rod holding their arms up, and a human being manipulating all of it just below frame. However, like with all good magic, it is not a matter of suspension of disbelief or nostalgia or even a sense of imagination that causes me to care about these characters. It is the fact that I forget that they are just foam and felt. I forget that they aren't real. My mind is taken to a place where reality is bent and pigs can sing, bears tell jokes, and frogs can dance.

The first time Kermit was recast was in 1990 following the death of Jim Henson. Jim's death led to questions about the future of the Muppets. News then came out that the Muppets would continue. This led to the question whether the character of Kermit would continue. News then came out that Kermit would be recast. This led to the question of whether Kermit would be the same if someone else preformed him.

Now various Muppets have changed performers in the past. And for the most part, even when it is different, the trick is still pretty good. But this news in not merely about a new performer hoping to recreate the same magic. This is about Kermit.

If the performer is the soul of the character, then Kermit is the soul of the Muppets. And this reason is simple. Kermit was created whole cloth (if you will excuse the pun) by the man who created the Muppets. I am referring of course to Jim Henson. And to many fans, Kermit wasn't just a creation of Jim, but a reflection. Jim didn't find the character of Kermit. Rather Kermit reflected the character of Jim.

Steve's interpretation of Kermit was rocky at first. And fan debates about the quality of "Jim's Kermit" vs. "Steve's Kermit" continued for many years.  (and still do). For me personally, Steve's Kermit recently became simply Kermit. Character and performer had found their groove. In the midst of the changes brought to these characters over the last two plus decades, Kermit was just finally Kermit again.

And now we move to a new era of the Muppets. Soon we will see the third version of Kermit.

This transition in many ways mirrors my own. I too am stepping into a new role.

I am five weeks into my role as Coordinator of Ministries to Children, Youth and Families at California Heights United Methodist Church.

I am also stepping into the role of caretaker for my mother (her doctor is still trying to find the right balance of meds to keep her heart rate, heart rhythm, and blood pressure all in working order, while also working to maintain blood flow through the stint in her right artery.)

And like Steve, I step into these roles not as originator but as follower. At Cal Heights I follow the person who held the position before me. And in my role with my mother I follow myself. For once my role as son was to be cared for, and now it is to care for.

Next time I will reflect on where I have been and how I got here.

--Serving Him alongside all of you, just from further away
--Jesse Letourneau

Recasting Jim's charcters

Saturday, May 9, 2009

More Muppets

So, I have been giving a lot (too much) thought to Gonzo and how he has appeared over the years. Like any good decades old character he has undergone several changes in appearance. The most resent I like to call his "Disney-ification."

Outside of Kermit, most of the principal players on the Muppet Show underwent some pretty radical transformations during the show's (all too short) five year run. To say then, that Disney has no right to change the characters look would be unfair. However, the direction that the Muppets have gone since Disney bought the rights to Kermit and company, as been to a more rounded, monochromatic, almost Playschool like appearance. (In point of fact, the classic Disney characters (Mickey, Donald, Goofy) have undergone a similar metamorphosis.) It is a case of marketing (kids like bright colors and soft round shapes) dictating the characters' look, over the character of the character dictation the character's look.

I know that last sentence has a lot of "character" in it, but when dealing with the Muppets it is important to remember that they are first and foremost characters. They have back stories and deep seeded fears, they have strengths and weaknesses, they function as a (highly eclectic and highly unstable) family. To turn them into the "funny one," the "mean one," the "jock," and the "outcast" is to miss the point of what made Jim Henson's crazy characters work so well and be loved for so long.

Kermit's new appearance is the most egregious change brought to the Muppets. However, to Disney's credit they have brought him back to a more classic look.



Classic Kermit (Notice his "skull" is basically a hand) with a more football shaped head



"Disney-fied Kermit' with a almost perfectly spherical head.



And here is Kermit in the most recent Muppet Production ("Letters to Santa")
Notice we are much closer to the original football shaped head.

(Side Note: The Muppets and many other properties have been trying hard to produce a seminal Christmas film in the vain of A Charlie Brown Christmas. The reason Charlie Brown and friends have become a part of American Christmas is that CBS ran the special every year for decades on end. If you want kids to grow up watching your Christmas special, stop making new ones every five years, and simply rerun your show until everyone deems it a classic)

Despite the presence of various and radical changes, Miss Piggy adamantly denies ever having plastic surgery. You be the judge.

BEFORE












AFTER






















However, what Disney has done to the pig (make her head as round as possible) seems a little extreme.
Disney-ification













Sadly, one of my favorite Muppets (who makes me smile on appearance alone) has undergone (in my book) the most unfortunate transformation of all.

Old school Fozzie


















Disney-ification



















I really hate the look of the current furry funny man.

So on to Gonzo.

When Gonzo was first introduced to the world, he was this little weird whatever. Not overly appealing in his appearance (or his "artistic acts").

1976



As the years went by Gonzo grew in size as well as physical appeal (relatively speaking of course)

1981
















During what some fans have dubbed "The storybook years", Gonzo continued to grow in size, appearance, and in prominence. In 1992's A Muppet Christmas Carol, Gonzo took center stage as the narrator of the film.

narrator of classic novels and stealer of souls















After Disney bought the Muppets, Gonzo became rounder, softer, and more monochromatic.


Once ugly and predominately purple, Gonzo has morphed into a (somewhat) appealing and mostly blue.















I would be absolutely appalled at the transformation of the little whatever who was booed off the stage when he tried to eat a tire to the tunes of Korsakovo to the alien who is front and center of the recent Disney/Muppet outings, except for one thing:

Dave Golez, the man who has had his hand up Gonzo's tucus, since the first episode of the Muppet Show. Gonzo and Golez are the only character/puppeteer combo to remain in tact since the beginning. Golez/Gonzo are the reason that any heart, any humor, and since of nostalgia are part of recent Muppet productions.



So while I am not a fan of rounded heads and simple color schemes (these ain't the telletubbies) I do love me some Gonzo.

Below is a video of Dave and Gonzo

clicky